Forget Lara Bingle, Australia’s latest tourism campaign is all about you. Tourism Australia is creating an online ‘mosaic’ of up to 15,000 crowd-sourced photos — but what do you have to give up in return?
Mainstream media coverage of the new campaign focused on the shift to a less offensive tagline — ‘There’s nothing like Australia’ — and the call for the public to help promote Australia as a tourism destination. The Age noted strict controls will be in place to moderate content posted to the website, and that copyright will be transferred to Tourism Australia.
Look closely at the fine print, though, and it’s clear more is at stake here. The campaign is sourcing photos and stories about favourite holiday moments through a competition on its website that launched today. Prizes on offer include digital cameras, eight $5,000 holidays and one $25,000 holiday. Entrants must agree to a raft of stringent conditions, such as assigning all intellectual property rights in their entry to Tourism Australia, and consenting to any act that would otherwise infringe their moral rights. They also agree the group can use their entries for promotional and marketing purposes without attribution or compensation.
The competition is also governed by the website’s general conditions. Under these, entrants agree that they don’t require attribution for their work, and that they may be held legally responsible for it.
A quick Google search shows similar competitions run by government and commercial bodies feature some of these conditions, but rarely all of them at once. What’s more, they’re apparently becoming less common.
“What you would see with most social networking-type sites at the moment is that they’re trending towards not taking ownership of copyright,” said Professor Brian Fitzgerald, Head of the Law School at Queensland University of Technology. “Many sites nowadays would not seek ownership of the copyright of the participant, they would just seek a broad licence to use it.”
The default practice is to attribute content to its author, and there is a tendency to respect moral rights, Professor Fitzgerald told Crikey. Any attempt to override moral rights “should be closely scrutinised”.
The first stage of the campaign will cost “just $4 million”, The Australian reported, though Tourism Australia plans to spend $150 million on it over the next three years. By contrast, the controversial ‘Where the bloody hell are you?’ campaign cost $40 million in its first four months and a further $140 million for its implementation over the following two years.
The crowdsourcing element makes the new ads seem like “an attempt to have a low cost way of generating a campaign” according to John Selby, Lecturer in the Department of Business Law at Macquarie University. “The general public will choose not to enter if they don’t like the terms,” he told Crikey.
And that’s what the tourism body is expecting. “We did a survey through Roy Morgan and 80% of Australians said they would like to get involved in promoting Australia to the world,” said a Tourism Australia spokesperson. “This is a competition that encourages them to do that. It aims to capture the passion of the Australian people and if they want to enter they can and if they don’t want to enter they don’t have to.”
Professor Fitzgerald pointed out the competition was voluntary, and that adequate incentive was provided to enter it. “There is a fairly attractive prize that’s being offered,” he said, adding remuneration for creative work is always going to be an issue.
I doubt people who submit images for the competition are clear that their images can be used in campaigns by unrelated companies years from now and that people in the photos know the extent their likeness can go.
It is not just the winning entries, but all entries that TA is taking the all the rights for.
12. By entering the Promotion, Eligible Entrants acknowledge that their entry may be used by the Promoter, the Promoter’s related entities, agencies engaged by the Promoter, or any other third party nominated by the Promoter, for the Promoter’s current and future promotional and marketing purposes without further reference or compensation to them. Eligible Entrants unconditionally and irrevocably:
(a) consent to any act or omission that would otherwise infringe any of their moral rights in their entry (as defined in Part IX of the Copyright Act 1968 (Cth)) and present and future rights of a similar nature conferred by statute anywhere in the world whether occurring before or after this consent is given (Moral Rights); and
(b) waive all Moral Rights in their entry that arise outside Australia.
45. Entrants agree and acknowledge that all entries and any intellectual property rights subsisting in their entries become and remain the property of the Promoter.
People are keen to participate in promoting Australia, but not to donate their images to be used by “any third party nominated by the promoter”
This is one of the worst Terms and Conditions I have ever seen in a Competition.
Gavin Blue
ACMP President
Australian Commercial and Media Photographers
2 other articles
http://gavinblue.com/blog/archives/736
http://acmp.com.au/tourism-australia-nothing-like-australia-really-2/
Tourism Australia is taking advice from the legal eagles now advising major media organisations. These conditions are precisely those major media owners are now laying out in their freelance contracts. The only one missing is a prohibition on writing for a list of competitors media outlets (potential restriction of trade).
Scenario: The blurb indicates compares one tourism venue/eatery/spa unfavourably with another they have tried. Will the entrant really understand that, under terms of the contract, what their obligations are if they are threatened with legal action? From what is included in the Crikey article Tourism Australia will take none and the writer will face all responsibility.
I wonder if Tourism Australia is asking a savvy editor to edit content for free too. If not why not?
Gavin Blue is right. I’ve followed these competition rights-grabbing scams for some time and Tourism Australia’s barefaced effort is the worst I’ve seen. Copyright! Where the bloody hell are ya?
Other article here: http://tinyurl.com/y75k6zm
Following on from Robwalls question, “Copyright! Where the bloody hell are ya,” the Australian Copyright Council (which represents 23 of Australia’s creative industry peak bodies) agrees that Tourism Australia is out of line.
As Gavin Blue rightly points out, the Terms and Conditions used in this competition are extreme – particularly disturbing given that Tourism Australia is a Government body.
At the very least, the terms should be limited to a licensing arrangement, not a full assignment of copyright and waiver of moral rights for every single entrant.
What these terms could mean, in effect, is that an entrant will have to ask Tourism Australia’s permission to make their grandmother a copy of their holiday happy snaps, or put one on their Facebook page.
Good work bringing this to light Crikey.
But even better work playing catch-up! This was mentioned and discussed both on my blog and on Mumbrella two weeks ago…
http://edceterablog.blogspot.com/2010/04/theres-nothing-like.html